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Franz Liszt - Ballade No 1 Le chant du croisé – Première Ballade, S170
Performer: Sergio Fiorentino
Composed between 1845 and 1848 (i.e., before Chopin’s death), the Ballade No 1 is a sadly underrated work. The subtitle ‘Le chant du croisé’ (‘croisé’ means ‘crusader’ rather than ‘cross’) suggests an underlying narrative that Liszt declined to elaborate further, but the work is an evocation of the period of the Crusades (which given Liszt’s Catholicism is an apt subject). The initial rising motif alludes strongly to the opening of Chopin’s First Ballade, a debt that must have been conscious on Liszt’s part, while the answering idea is a scherzo-like gesture that seems to confirm the key of D major. The main body of the work, however, is cast as a set of character variations on the crusader’s ‘song’ in D flat major, with a joyfully heroic march as a middle section, replete with ‘rapido con bravura’ scales and other virtuoso intricacies.
https://www.bilibili.com/video/BV1GTwNehEe1
Franz Liszt
Carrousel de Madame Pelet-Narbonne, S.214a
France Clidat
Leslie Howard
While a sense of humour is apparent in a good deal of Liszt’s music, at least within the bounds of scherzando, and often with a Mephistophelean edge, actual joking in his music is pretty well absent, save the one piece inspired by the sight of the corpulent Madame Pelet-Narbonne taking her pleasure in a ride on a roundabout. It must be admitted that Liszt’s view of the incident is less than kind—with the marking ‘Allegro intrepido’, and sounding not far away from the spirit of Bartók’s Allegro barbaro.
from notes by Leslie Howard © 1991
